Sunday, June 6, 2010

What Does it Take for Kids in Las Delicias to Get a College Education?




Last Friday, we had to give “Charlas” to Grades 1 to 3 students of the Las Delicias Elementary School. “Charlas” are skits we volunteers give out to the community as health education lessons. Last year I gave one to mothers in the clinic, talking about the nature of amoebas and tapeworms, and I had no apprehensions. However, I wasn’t so sure this time on how to navigate a “charla” for 7-9 year olds. My cynicism lied not on the impact a health lesson might have on this age group but mostly on how to make a presentation that wasn’t too preachy, belittlingly simple, or worse, boring.

We arrived at the school kind of anxious but excited. Oddly, the moment we entered the compound, the bell rang for recess, and there was chaos. Kids started swarming out of the classrooms. The school infrastructure maybe old and drab and humble, but there was nothing old and drab and humble about the atmosphere full of kids that were extremely happy for recess time. At some point we started hearing shouts of “Gringos!” A couple kids I recognize shouted out some of our names, other unfamiliar faces expectantly came to us to exchange some “holas!” and high fives .

We were scheduled to give out our charlas after recess, so we went to the kindergarten classrooms to wait for the meantime. Some of the kids we know like Kenya tagged along and invited us to play “mica” (an equivalent of tag). A kindergarten teacher wasn’t happy of the commotion , so she motioned them to stay off the premises, iron railings separating us “Gringos” inside the kindergarten buidling from the elementary kids outside.

Kenya, always fun and silly, still continued the game albeit the physical separation. We loved her initiative (and resourcefulness) so we gladly went along. They would motion their hands in between the iron rails as far as they can to tag one of us, and shout “Mica, mica, mica, mica!” When it was time for us to do the same, they would run away, or even better, tease us, drawing their bodies in and out with a sarcastic look of “catch me if you can.” I adored this moment. Even though there was this separation of us from them, we still managed to find ways to reconnect. We still had a great time, with shared moments of teasing and silliness amidst division. I guess I liked it because this moment also reverberated to what we were experiencing culturally with each other.

The bell rang, we said our temporary goodbyes, and the kids lazily went back to their respective rooms. It’s charla time. We followed suit, walking in single file towards the main buildings. This time the grounds were eerily deserted. I noticed even more how dowdy the school infrastructure was.

Like any other public schools in El Salvador, this school housed primary, middle and high school in the same buildings. They have half-day schedules to accommodate every grade level. Two parallel buildings made of adobe house about 5-6 classrooms each, their blue and white paints peeling, the railings rusting. Separating the two buildings is an outdoor stage and a roofed gathering space. It rained the day before- skimpy showers from Agatha’s upshot- and the earth was wet and grimy. Mud and dirt made all their way to the walls, to the hallway floors, to the posts, the stage, everywhere. We waited near the stage before the teachers can motion us into their classrooms. We absorbed all we could muster from our surroundings and beyond....

“What does it take for a kid in Las Delicias to get a college education?” one of the volunteers asked, an air of cynicism enveloping around us. AK, the clinic FOM and community liaison, answered, “It takes a lot of hard work… and dedication. One has to be really motivated….. and really committed to her or his studies and……” Before he could finish his thoughts, someone summoned us, signaling that it was time to begin. But my mind did not stray away from the question. It made me uneasy. But why? Was I really curious about the answer or about the truth? In a community plagued by challenges, children are the most susceptible, and the truth could be disheartening. Many families in Las Delicias struggle day by day and education may not be a top priority… Disadvantaged children are more likely to join youth gangs and engage in violence. Moreover, many youth migrate to the urban areas and those who do lack the interest to invest in their own communities.

I thought of Kenya. I always pictured her to be successful someday. She is very smart, outgoing, ballsy, funny, and mature for a seven year old girl. The other day we joked about how we wouldn’t be surprised if she’d be a gobernadora or heading the municipio.

The challenges might be unnerving but glee is gleaming. Kids like her go on with their days like all of these do not even matter. Their cheerfulness, joy, and laughter seemingly nullifies the grim realities of their circumstances.

“Let’s go guys,” AK gestured . I took out my charla visual aids from my backpack. The Grade 1 teacher warmly invites us in. I stepped into the room, and the first thing I saw was Kenya, smiling.

Wednesday, June 2, 2010

Art Program for the Children of Las Delicias




What drew me into the Ambassador Program was the opportunity for volunteers like me to come up with our own initiatives that support FIMRC’s mission. It was this combination of independent, creative, and immersive service-learning experience that compelled me to commit to an unpaid summer internship. As ambassadors, we spearhead specific projects of our own that will contribute a lasting impact to our host sites, projects that incorporate our interests and passions about a particular field in preventive health or community development.

I knew I wanted to do something related to art from the get go. It was one of those things that fell right into place, almost impossible not to consider, like Jack Donaghy interning for Ted Kennedy. I have worked with kids before engaging in some form of mentoring via art, and each experience affirmed my belief on the power art and its endless possibilities.

According to the American Art Therapy Association the creative process involved in artistic self-expression helps develop interpersonal skills, manage behavior, increase self-esteem, personal fulfillment, empowerment, self-awareness, and achieve insight. Creating something tangible can build confidence and nurture feelings of self-worth, which comes from the creative and analytical components of the artistic process (Brinkman, 2004). By helping visually express emotions and fears that cannot be expressed through conventional means, art gives power and control over these feelings.

More importantly, the benefits on children are insurmountable. Children often have more difficulty than adults trying to put feelings into words (Brinkman, 2004). Art encourages children to express emotions, containing them to the artistic expression. For many children, art provides a sense of relief and discovery of themselves (Brinkman, 2004). In an article by Dr. Estela A. Beale, a child and adult psychiatrist and associate professor in the Department of Neuro-Oncology at the University of Texas, she has asserted that the art that children create is “a window into the less-conscious mind”. Pictures and drawings can help in elucidating a child’s perceptions and feelings about what is happening to them and explore possible alternatives to solving problems (Beale, 2004). Furthermore, it can be used with children, adolescents and even adults who are struggling with personal issues or just in search of personal growth. There are many developmental stages that children go through during their lives from scribbling at ages 2-4 to pseudo realism at ages 11-13, where the child is more critical of themselves and when they began to make decisions on their own. It is not unusual for children to go back and forth between stages (Beale, 2004).

Such literature reviews did not only bolster my confidence in art and its promise, it also provided me a framework from which to build upon a project proposal that incorporates art and a community health initiative in a resource-poor setting such as Las Delicias.

While it is now common in richer countries to focus on the development of “systems of care” for children’s health, in the developing world the concept stil represents a long-term goal given the lack of resources . Encouragingly, a better balance in biomedical, complementary and alternative care are now the goals in most developing countries like El Salvador. It has been demonstrated that some of the more low cost, low resource –intensive interventions targeting early childhood development are play, reading, art, music, and tactile simulation. In this regard, my summer project seeks to augment child health care in resource-poor settings through establishing an art program as a complementary and alternative health initiative in Las Delicias, El Salvador .

The Art Program will primarily focus on the “personal fulfillment, empowerment, and play” component of the creative process, mimicking an ambiance of an art class. The program will be open to children under the age bracket of 5 to 16. Invitations will be sent out to the children in the Las Delicias community. Art therapy sessions will be carried out every Monday, Wednesday, and Friday, and these sessions will last from 30 minutes to an hour, depending on the nature of the activity. Activities range from drawing, sketching, water-coloring, painting, mural painting, and craft making.

I'm excited about what's ahead of me in the coming weeks.